By Marilyn DeLong, Barbara Martinson
From items we use to outfits we put on, and areas we inhabit, we depend on color to supply appearance, facts codes and that means. Color and Design addresses how we comprehend and event color, and during particular examples explores how color is utilized in a spectrum of design-based disciplines together with clothing layout, photograph layout, inside layout, and product layout.
Through hugely attractive contributions from a wide selection of foreign students and practitioners, the ebook explores color as someone and cultural phenomenon, as a practical equipment for communique, and as a important advertising device.
Color and Design presents a finished evaluate for students and an obtainable textual content for college students on a number of classes inside layout, model, cultural experiences, anthropology, sociology and visible and fabric tradition. Its exploration of color in advertising and marketing in addition to layout makes this ebook an helpful source for pro designers. it's going to additionally let practitioners to appreciate how and why color is so commonly assorted and gives such huge, immense strength to communicate.
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Extra info for Color and design
She is a designer of wearable art sculptural forms and has exhibited worldwide. She has been a visiting scholar at the University of Minnesota and at the Central Academy of Fine Art in Beijing, China, and also a visiting professor of the China Academy of Fine Art in Hangzhou, China, since 2008. She is the author of The Beauty of Korean Dress. She has completed many design projects and teaches in South Korea, China, and the United States. Her research focus includes traditional color and contemporary color for the marketplace.
2 Flogsta housing area, Uppsala, Sweden. 3 and 4 Two artifacts designed by Karin Ehrnberger (2006) as part of her master’s work in Industrial Design. 5 Maccreanor Lavington, model for Dublin Parlour, 2009. 6 Dashing Tweeds, Lumatwill™ Cape by day, 2010. 7 Dashing Tweeds, Lumatwill™ Cape by night, 2010. 8 Examples of color interactions. 9 Itten’s seven color contrasts. 10 Color attributes: hue, value, chroma, and derivatives. 11 Value and chroma structures. 12 Hue structure. 13 Conventional color harmonies.
Color and form, texture and gloss, everyday sounds and music, movements and dance, stench and perfume can look as, sound as, feel as, smell or taste as we imagine feelings or emotional reactions. That is why we are able to bring about “feelings” in design. Susanne Langer (American philosopher 1895–1985) claims that the emotional content we experience in objects or spaces is symbolic in a special way. In the surrounding world we perceive visual qualities that are spatially logical patterns of color, light, form, and movements.
Color and design by Marilyn DeLong, Barbara Martinson